This is a book about how we see: the environment around us (its surfaces, their layout, and their colors and textures); where we are in the environment; whether or not we are moving and, if we are, where we are going; what things are good for; how to do things (to thread a needle or drive an automobile); or why things look as they do.The basic assumption is that vision depends on the eye which is connected to the brain. The (...) author suggests that natural vision depends on the eyes in the head on a body supported by the ground, the brain being only the central organ of a complete visual system. When no constraints are put on the visual system, people look around, walk up to something interesting and move around it so as to see it from all sides, and go from one vista to another. That is natural vision—and what this book is about. (shrink)

Review of: Wood, Allen W., Kant and Religion, Cambridge, Cambridge U.P., 2020, 250 pp. ISBN: 978-0521799980.

This essay challenges the dominance of the spherical earth model in fifteenth- and early-sixteenth-century Western European thought. It examines parallel strains of Latin and vernacular writing that cast doubt on the existence of the southern hemisphere. Three factors shaped the alternate accounts of the earth as a plane and disk put forward by these sources: (1) the unsettling effects of maritime expansion on scientific thought; (2) the revival of interest in early Christian criticism of the spherical earth; and (3) a (...) rigid empirical stance toward entities too large to observe in their entirety, including the earth. Criticism of the spherical earth model faded in the decades after Magellan’s crew returned from circuiting the earth in 1522. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BALTHASAR'S USE OF THE THEOLOGY OF AQUINAS }AMES J. BUCKLEY Loyola College in Maryland Baltimore, Maryland T HE AIM OF THIS essay is to raise some questions about the internal consistency of Hans Urs von Balthasar's use of the theology of Thomas Aquinas. These are genuine questions. That is, they are not questions ("Is Balthasar's use of Aquinas consistent?") disguising or masking answers ("Balthasar's use of Aquinas is inconsistent"). (...) While I hope the questions set an agenda for disputations between students of these two theologians, my aim is not to settle the many disputations between the theologies of Aquinas and Balthasar, but to propose some quaestiones disputatae. In Balthasar's terms, the aim is to set up the theater and put some characters on the stage, not to stage the drama itself. Why bother? First, Balthasar's theology arises out of a tradition critical of the theology of Aquinas, and students of Aquinas can only ignore such objections at the price of abandoning Aquinas's habit of responding to such criticisms. The locus classicus of this critique is Balthasar's claim that he omits Aquinas from his canon of theological aestheticians because Aquinas is one of those whose "deep and lucid philosophical aesthetics" has "failed to achieve a theological translation, that is, to be seen as the unfolding of a theology based on biblical revelation" (GL II, 21).1 Thomas Aquinas (Balthasar later says) "was more of a philosopher than a theologian" (GL III, 9). We shall see later that ' I shall use the following abbreviations: ST = Summa Theologiae. Latin text and English translation, ed. Thomas Gilby, various translators (New York: McGraw-Hill; London: Eyre & Spottiswoode, 1964-80). GL =The Glory ofthe Lord: A Theological Aesthetic, ed. Joseph Fessio, S.J., and John Riches, various translators, 7 vols. (San Francisco: Ignatius Press; New York: Crossroad Publications, 1982-91). 517 518 JAMES J. BUCKLEY Balthasar also mentions other objections to Aquinas. In fact, part of my argument will be that this central criticism of Thomas's aesthetics is intelligible only against the background of other even more important criticisms of Aquinas's theology. I ought also to note at this early stage, however, that Balthasar 's criticisms of Aquinas are almost always carefully qualified. For example, in the locus classicus just cited, Balthasar objects to Aquinas's aesthetics, not his ethics or metaphysics; indeed, it is a criticism of Aquinas's theological aesthetics, not his philosophical aesthetics. Still further, Balthasar even says it "would perhaps" be possible to develop the "implicit" theological aesthetics in Thomas's philosophical aesthetics; however, Balthasar (inexplicably, some would say at this point) thinks this could only be done "witn uncertain success" (GL II, 21). One reason for the frequent allusiveness of Balthasar's objections to Aquinas is a second reason for bothering with Balthasar's use of Aquinas: in and with the firmness of Balthasar 's criticisms of Aquinas, the vast majority of Balthasar's uses of Aquinas are constructive rather than critical. Indeed, if taking the measure of theological disputation were primarily a matter of weighing quotations, it could easily be shown that Balthasar's use of Aquinas is by far more positive than negative. More importantly, I shall propose that Balthasar notices features of Aquinas's theology not often noted (or still not noted often enough) by many students of Aquinas. This common ground between Balthasar and Aquinas recalls how, among Roman Catholics in the first part of this century, there was a sort of alliance among Catholic reformers-over against strains of Catholic traditionalisms-between some forms of Thomism and TD= Theodramatik, 4 vols. (Einsiedeln: Johannes Verlag, 1973-83). T-D =Theo-drama: Theological Dramatic Theory, various translators, 5 vols. planned (San Francisco: Ignatius Press, 1988-). TL= Theologik, 3 vols. (Einsiedeln: Johannes Verlag, 1985-87). For a summary of Balthasar's trilogy on beauty and goodness and truth, see his Epilog (Einsiedeln/Trier: Johannes Verlag, 1987) as well as My Work: In Retrospect, trans. Cornelia CapoI (San Francisco: Ignatius Press, 1993). BALTHASAR'S THEOLOGY OF AQUINAS 519 what was known as la nouvelle theologie (including Balthasar).2 It is this common ground that ought to make us wary of... (shrink)

A critical discussion of Aristotle's thoughts on moral weakness, or Akrasia, with a look at the contributions of other philosophers, such as, Socrates and Plato on this subject.

In Sensations of History, James J. Hodge argues that animation in new media art transforms historical experience in the digital age. Combining close textual analysis of experimental new media artworks with discussion of key phenomenological texts, Sensations of History argues for the broad critical significance of animation as we shift from analog to digital technologies. Hodge looks closely at animation aesthetics, which allow for a clear grasp of the ways digital technologies transform our sense of historical experience.

Drawing from a social predicament and identity management framework, we argue that procedural unfairness on the part of decision makers places messengers in a dilemma where they attempt to protect their professional image or legitimacy by engaging in refusals and exhibiting distancing behaviors when delivering bad news. Such behaviors however, violate key tenets of fair interpersonal treatment. The results of two experiments supported our hypotheses in samples of experienced managers. Specifically, we found that levels of messengers’ distancing and refusals were (...) greater when the procedures used by decision makers were unfair rather than fair. Additionally, messengers’ perceptions of a predicament mediated these relationships. Implications and future research directions regarding the ethical delivery of bad news in the workplace are discussed. (shrink)

Successful deployment of “artificial womb technology (AWT)” is anticipated within a decade or so. In the case of “partial” ectogestation, in vivo gestation precedes fetal transfer to an artificial...

James Winchester brings the western philosophical tradition into dialog with contemporary African-American thinkers in an attempt to bridge the culture gap in aesthetic judgments.

David Kelsey's Eccentric Existence argues that what we need is a “systematically unsystematic” account of human existence, a set of “buoys” or non‐negotiable convictions articulated on the basis of canonical Scriptures, leaving abundant room for philosophers and other non‐theologians to make their contributions. Embodied persons themselves/ourselves are constituted in three irreducibly complex canonically biblical narratives as creatures, reconciled, and consummated—although it is not always clear what aspects of these narratives are “buoys” and which are more negotiable. The God who constitutes (...) embodied persons is the triune God of Nicaea who operates as one but in irreducibly distinct ways as Father and Son and Spirit—and cannot be mere instrument of human purposes. Kelsey intentionally leaves a number of Trinitarian and Christological questions open for further treatment, creating remarkable challenges for traditionalists and modernists alike. (shrink)

This volume -- a companion to Thomas Reid: Selected Philosophical Writings (2012) -- makes available material from Thomas Reid's autograph manuscripts and student notes of his lectures. It includes an introductory essay by Nicholas Wolterstorff.

This authoritative volume provides a comprehensive road map of the important and rapidly growing field of emotion regulation.